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© LA MJC 2022

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  • ALL GONE 2022

    "VISTY"

    Hard cover, 192 pages. 
    Limited edition of 2000 copies, printed in France.
    Produced by La MJC.

    "I'am proud and honored to have the chance to showcase my ultra talented friend VERDY on the two covers this year!

    I met VERDY through Paulo several years ago when I was already a fan of his work. Our first project together was in 2019. In Tokyo, we collaborated and produced a series of ALL GONE/Girls Don't Cry t-shirts and tote bags. Since then, the idea of VERDY taking over the book cover, with his unique style and awesome characters felt like a natural fit.

    We are finally there! After years of consistently honoring his projects in the pages of the book, it's VERDY's time to bring his lovely characters VICK and VISTY to life, each taking a majestic place on their respective covers!

    Please don't ask me to choose which one I prefer! They are both too good!"

    -----

    ALL GONE, The Finest of street culture 2022

    "2022 was supposed to be the year that was better. For everyone.

    After living through 2020-2021 under severe restrictions, we hoped to learn from the unprecedented challenges we all had faced to move forward differently. The most optimistic among us imagined a peaceful future with restored values. Everything, we thought, could start again from scratch.

    Sadly, the hope of an exceptional year was quickly dashed by harsh, successive doses of reality: “war, crisis, inflation, recession.” These words ruled our discussions, our minds, and our hearts. To say that the post-pandemic world was getting better felt dishonest. Like the two years preceding it, 2022 was ultimately a challenging season for many.

    However, I have always believed in the resilience of our culture and its industries. Without diminishing the difficulties that everyone may have encountered, I remain convinced that our culture has managed to thrive in spite of everything, and continue to innovate, renew itself, and remain original, bringing a strong sense of hope and a persevering desire to advance. 

    Seasons come and go, crises are renewed, and hope is reborn. These cycles, as they are experienced, become easier to recognize. Since street culture’s inception nothing has ever been easy. And yet it has always drawn on an energy that pushes back against limitations, unafraid & often against the current, confident in its strengths and insatiable desire to conquer. The demise of street culture was already prophesied when it was merely a niche, before ever being discovered by the masses. Today, in the midst of unprecedented popularity, those same naysayers are calling, seizing on the spectre of a new global crisis to count it out again.

    It’s not untrue that street culture has experienced its own challenges. Maybe its growth has been too brutal, too quick. But while the world struggles through one of the darkest moments of the 21st century, street culture remains vibrant and inspiring. Adversity has always been a fuel rather than an impediment, and crisis, instead of crippling it, has only amplified its ambition & creativity tenfold. The culture continues to disrupt codes and infuse the world with new ideas. 

    I have been taking care to decode and understand street culture for 17 years. The selection and curation of All Gone has adapted to its new status and to the role it now plays as THE reference culture. Building All Gone means documenting the best the culture has to offer every year. However, the task has become arduous as of late, with projects following one after another at a frantic pace, making it impossible to appreciate their true value. With this in mind, 2022 must be seen as a necessary step towards a future slowdown where quality must prevail over quantity.

    All Gone is the witness of our culture's quest for accomplishment and the path it has taken. We are watching the realization of a work of art that was initiated more than three decades ago, when it was only in its embryonic stage. The sketch is already majestic. Step by step, with time and application, we are on our way to the completion of this Masterpiece.

    We are nearly there, and it’s almost dry."

    Michael Dupouy,
    La MJC

    Hard cover, 192 pages. 
    Limited edition of 2000 copies, printed in France.
    Produced by La MJC.

    "I'am proud and honored to have the chance to showcase my ultra talented friend VERDY on the two covers this year!

    I met VERDY through Paulo several years ago when I was already a fan of his work. Our first project together was in 2019. In Tokyo, we collaborated and produced a series of ALL GONE/Girls Don't Cry t-shirts and tote bags. Since then, the idea of VERDY taking over the book cover, with his unique style and awesome characters felt like a natural fit.

    We are finally there! After years of consistently honoring his projects in the pages of the book, it's VERDY's time to bring his lovely characters VICK and VISTY to life, each taking a majestic place on their respective covers!

    Please don't ask me to choose which one I prefer! They are both too good!"

    -----

    ALL GONE, The Finest of street culture 2022

    "2022 was supposed to be the year that was better. For everyone.

    After living through 2020-2021 under severe restrictions, we hoped to learn from the unprecedented challenges we all had faced to move forward differently. The most optimistic among us imagined a peaceful future with restored values. Everything, we thought, could start again from scratch.

    Sadly, the hope of an exceptional year was quickly dashed by harsh, successive doses of reality: “war, crisis, inflation, recession.” These words ruled our discussions, our minds, and our hearts. To say that the post-pandemic world was getting better felt dishonest. Like the two years preceding it, 2022 was ultimately a challenging season for many.

    However, I have always believed in the resilience of our culture and its industries. Without diminishing the difficulties that everyone may have encountered, I remain convinced that our culture has managed to thrive in spite of everything, and continue to innovate, renew itself, and remain original, bringing a strong sense of hope and a persevering desire to advance. 

    Seasons come and go, crises are renewed, and hope is reborn. These cycles, as they are experienced, become easier to recognize. Since street culture’s inception nothing has ever been easy. And yet it has always drawn on an energy that pushes back against limitations, unafraid & often against the current, confident in its strengths and insatiable desire to conquer. The demise of street culture was already prophesied when it was merely a niche, before ever being discovered by the masses. Today, in the midst of unprecedented popularity, those same naysayers are calling, seizing on the spectre of a new global crisis to count it out again.

    It’s not untrue that street culture has experienced its own challenges. Maybe its growth has been too brutal, too quick. But while the world struggles through one of the darkest moments of the 21st century, street culture remains vibrant and inspiring. Adversity has always been a fuel rather than an impediment, and crisis, instead of crippling it, has only amplified its ambition & creativity tenfold. The culture continues to disrupt codes and infuse the world with new ideas. 

    I have been taking care to decode and understand street culture for 17 years. The selection and curation of All Gone has adapted to its new status and to the role it now plays as THE reference culture. Building All Gone means documenting the best the culture has to offer every year. However, the task has become arduous as of late, with projects following one after another at a frantic pace, making it impossible to appreciate their true value. With this in mind, 2022 must be seen as a necessary step towards a future slowdown where quality must prevail over quantity.

    All Gone is the witness of our culture's quest for accomplishment and the path it has taken. We are watching the realization of a work of art that was initiated more than three decades ago, when it was only in its embryonic stage. The sketch is already majestic. Step by step, with time and application, we are on our way to the completion of this Masterpiece.

    We are nearly there, and it’s almost dry."

    Michael Dupouy,
    La MJC

    All Gone 2022 - "VISTY"
    All Gone 2022 - "VISTY"

    PUBLISHER —— La MJC

    Original Concept

    Michael Dupouy — LA MJC

    Art Direction

    ILL-STUDIO

    Cover

    VERDY

    Layout

    Valentin Benito Bousquet

    Texts

    Michael Dupouy, 
    Sudaara White, 
    Jovani Hernandez, 
    Caleb Lin.

    Still life photography

    Terence Hassen Studio

    Printer

    Printed in France by Les Deux-Ponts

    Edition

    2000 copies

    ISBN

    978-2-9567061-4-4

    EAN

    9782956706144

    Photography

    • Bolade Banjo, 
    • Jonathan Baron, 
    • Kev Bouquet, 
    • Nathan Chang, 
    • Grain Cinema, 
    • Theo Cottle, 
    • Jalan and Jibril Durimel, 
    • Thibaut Grevet, 
    • Yusuke Hanai, 
    • Osma Harvilahti, 
    • Carlijn Jacobs, 
    • Robb Klassen, 
    • Ryosuke Kosuge, 
    • Saskia Kovandzich, 
    • Alasdair McLellan, 
    • Liam McRae, 
    • Renell Medrano, 
    • Gabriel Moses, 
    • Liam O'Reilly, 
    • Jason Paparoulas, 
    • Snake Plissken, 
    • Connor Rycroft, 
    • Aileen Son, 
    • Lee Spielman, 
    • Stone, 
    • Tony Tan, 
    • Lewis Taylor, 
    • Jason Tidwell, 
    • Loic Villepontoux, 
    • Norman Wong.

    Thanks

    • Julie Duplain, 
    • Chantal Dupouy, 
    • Verdy, 
    • Paulo Calle, 
    • Sarah Andelman, 
    • Hami Delimi, 
    • Franck Fontana, 
    • Adrien Plas, 
    • James Chan, 
    • Leo Gamboa, 
    • Joe Grondin, 
    • Kristen Fougere, 
    • Teddy Santis, 
    • Sarah Colligan, 
    • Emily Manning, 
    • Alex Bahrami, 
    • Will Perkins, 
    • Julien Cahn, 
    • Brian Donelly, 
    • Michelle Bonomo, 
    • Brad Bridgers, 
    • David Arkin, 
    • Krzysztof Rodziewicz, 
    • Nils Dragstra, 
    • Edison Chen, 
    • Patrick Lee, 
    • SK Lam, 
    • Easy Otabor, 
    • Gareth Skewis, 
    • Patrick Tcherno-Ivanenko, 
    • Zoey Fishman, 
    • Nigo, 
    • Dan Doyle, 
    • Adrian Douzmanian, 
    • Chris Gibbs, 
    • Angelo Baque, 
    • Justin Saunders, 
    • Sharif Aina, 
    • Pres Rodriguez, 
    • Thanh Sibony, 
    • Jean Philippe Lalonde, 
    • Hugo Lecot, 
    • Dr. Woo, 
    • Daniel Arsham, 
    • Poggy, 
    • Mathieu Van Damme, 
    • James Dridi, 
    • KB Lee, 
    • Sky Gellatly, 
    • Natsumi Tauchi, 
    • Jess Moloney, 
    • Salehe Bembury, 
    • Federico Tan, 
    • Edson Sabajo, 
    • Lee Stuart, 
    • Dan Natola, 
    • Thomas Boudreau, 
    • Alessio Ascari, 
    • Kevin Poon, 
    • Mubi Ali, 
    • Alessio Ascari, 
    • David Sinatra, 
    • Curtis Penning, 
    • Christian Luiten, 
    • Arthur Kar, 
    • Dayanne Akadir, 
    • Samuel Ross, 
    • Barbara Torasso, 
    • Bradley Carbone, 
    • Joe Freshgoods, 
    • Aljoscha Kondratiew, 
    • Brandon Ollish, 
    • Daniel Bailey, 
    • Kevin Duong, 
    • Maxime Merran, 
    • Paul Ruffles, 
    • Kellen Roland, 
    • Rachel Muscat, 
    • Pini Mlinarik, 
    • Tracy Castillo, 
    • Jaynard Caparoso, 
    • Kyle Parry, 
    • Sam Zhang, 
    • Deon Point, 
    • Rebecca Giller.

    La MJC logo

    All rights reserved.
    No part of this book may be reproduced in any form by any electronic or mechanical means without prior permission in writing from the publishers.
    (including photocopying, recording, or information storage or retrieval) © 2023 La MJC.

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