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  • All Gone 2023 - "BRONZE"

    ALL GONE 2023

    "BRONZE"

    Limited edition of 2000 copies, printed in France.
    Cover by Daniel Arsham. Produced by La MJC. 

    Hard cover, 192 pages. 
    Combination of offset printing, antiscratch matte lamination, glossy varnish on crystal (silkscreen printing), sand varnish effect (silkscreen printing), and deboss on perfect registration for logos and texts on the hardcover.

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    ALL GONE, The Finest of street culture 2023

    JJJJust like in 2022, staying positive in 2023 was challenging. Escaping the persistent refrain of 'crisis, inflation, recession' bordered on the verge of impossibility. Let's not mince words— the post-pandemic new world fails to evoke optimism. The air is thick with pollution, both literally and figuratively, as debates echo the prevailing gloom. Wars not only give rise to divisions but amplify existing ones, adding an additional tension to our daily lives. The hope for a pacified future seems distant.

    The assessment is grim, yet it possesses the virtue of clarity. We can't ignore the context when looking at our culture, industries, and key players right now. As I mentioned last year, my intent is not to mask or downplay the challenges humanity faces today. Instead, I strongly believe that our culture is adapting dynamically, finding positives in the midst of negativity, and continuously working for progress, innovation, and self-reinvention.

    Since its inception—some will recall, 50 years ago—the mindset of our culture remains the same. Street culture, rooted in rebellion, evolves uniquely amid crises. It stands alone, fueled by seemingly boundless energy, especially in adversity. Though initially met with skepticism, it has become THE most consumed culture globally, embraced and revered universally. Hope, even faint, sustains life, and street culture draws its strength from this hope.

    The global crisis forced it to confront itself, reset the counters, and envision the future differently. The repercussions of overly rapid growth and the abrupt fall of some entities left indelible marks. Sometimes, it became necessary to return to roots and (re)develop local engagement and community. Slowing down to prioritize quality over quantity became a necessity once more.

    Hence, the paradox prevails, witnessing the world navigating through an increasingly somber period, while street culture continues to radiate and inspire. Forged in adversity, it persists in imprinting the world with its codes, idols, colors, and ideas.

    Are crises advantageous to street culture? I wouldn't dare to affirm it. But it seems clear that it does not react like others to their effects. The creativity of its major contributors remains resilient, perhaps even enhanced, accompanied by an unyielding desire to export, progress, and successfully dismantle established norms and conventions.

    And so, as we navigate through the storm of Mobb Deep's 'Hell' on Earth, would aspiring to U2's 'Peace' on Earth be detrimental to our beloved culture? The question is ironic, but a clear answer can be given: in 18 years of documenting street culture's pinnacle, it has never wavered. Transitioning from niche to the world's most desired, street culture remains a beacon of creativity, a testament to its creators' indomitable spirit. It has weathered storms, adapted to change, and emerged stronger—sending a powerful, border-transcending message that resonates across generations.

    As everyone pursues their dreams, we hope for a new world where justice and peace coexist seamlessly. In this hopeful moment, we trust the upcoming generation to lead the way to a brighter future. May they embrace the resilience of street culture and shape a world where the dream of Peace on Earth is not just cherished but brought to life.

    Michael Dupouy, La MJC

    Limited edition of 2000 copies, printed in France.
    Cover by Daniel Arsham. Produced by La MJC. 

    Hard cover, 192 pages. 
    Combination of offset printing, antiscratch matte lamination, glossy varnish on crystal (silkscreen printing), sand varnish effect (silkscreen printing), and deboss on perfect registration for logos and texts on the hardcover.

    -----


    ALL GONE, The Finest of street culture 2023

    JJJJust like in 2022, staying positive in 2023 was challenging. Escaping the persistent refrain of 'crisis, inflation, recession' bordered on the verge of impossibility. Let's not mince words— the post-pandemic new world fails to evoke optimism. The air is thick with pollution, both literally and figuratively, as debates echo the prevailing gloom. Wars not only give rise to divisions but amplify existing ones, adding an additional tension to our daily lives. The hope for a pacified future seems distant.

    The assessment is grim, yet it possesses the virtue of clarity. We can't ignore the context when looking at our culture, industries, and key players right now. As I mentioned last year, my intent is not to mask or downplay the challenges humanity faces today. Instead, I strongly believe that our culture is adapting dynamically, finding positives in the midst of negativity, and continuously working for progress, innovation, and self-reinvention.

    Since its inception—some will recall, 50 years ago—the mindset of our culture remains the same. Street culture, rooted in rebellion, evolves uniquely amid crises. It stands alone, fueled by seemingly boundless energy, especially in adversity. Though initially met with skepticism, it has become THE most consumed culture globally, embraced and revered universally. Hope, even faint, sustains life, and street culture draws its strength from this hope.

    The global crisis forced it to confront itself, reset the counters, and envision the future differently. The repercussions of overly rapid growth and the abrupt fall of some entities left indelible marks. Sometimes, it became necessary to return to roots and (re)develop local engagement and community. Slowing down to prioritize quality over quantity became a necessity once more.

    Hence, the paradox prevails, witnessing the world navigating through an increasingly somber period, while street culture continues to radiate and inspire. Forged in adversity, it persists in imprinting the world with its codes, idols, colors, and ideas.

    Are crises advantageous to street culture? I wouldn't dare to affirm it. But it seems clear that it does not react like others to their effects. The creativity of its major contributors remains resilient, perhaps even enhanced, accompanied by an unyielding desire to export, progress, and successfully dismantle established norms and conventions.

    And so, as we navigate through the storm of Mobb Deep's 'Hell' on Earth, would aspiring to U2's 'Peace' on Earth be detrimental to our beloved culture? The question is ironic, but a clear answer can be given: in 18 years of documenting street culture's pinnacle, it has never wavered. Transitioning from niche to the world's most desired, street culture remains a beacon of creativity, a testament to its creators' indomitable spirit. It has weathered storms, adapted to change, and emerged stronger—sending a powerful, border-transcending message that resonates across generations.

    As everyone pursues their dreams, we hope for a new world where justice and peace coexist seamlessly. In this hopeful moment, we trust the upcoming generation to lead the way to a brighter future. May they embrace the resilience of street culture and shape a world where the dream of Peace on Earth is not just cherished but brought to life.

    Michael Dupouy, La MJC

    All Gone 2023 - "BRONZE"
    All Gone 2023 - "BRONZE"
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    Publisher —— La MJC

    Original Concept

    MICHAEL DUPOUY — La MJC

    Cover

    Daniel Arsham

    Art Direction

    ILL-STUDIO

    Layout

    Benito.Cool

    Texts

    Michael Dupouy, 
    Jovani Hernandez.

    Printer

    Printed in France by Les Deux-Ponts

    Edition

    2000 copies

    ISBN

    978-2-9567061-5-1

    EAN

    9782956706151

    Photography

    • Kev Bouquet, 
    • Quentin de Briey, 
    • Garrett Bruce, 
    • John Chen, 
    • Antosh Cimoszko, 
    • Sam Dameshek, 
    • Michael Dupouy, 
    • Jalan & Jibril Durimel, 
    • Alex 2tone Erdmann, 
    • Gogy Esparza, 
    • Brandon Faith, 
    • Zhamak Fullad, 
    • Thibaut Grevet,  
    • Solène Gün, 
    • Karl Hab, 
    • Oliver Hadlee Pearch, 
    • Josie Hall, 
    • Yu Ho Yeung, 
    • Ryu Ika, 
    • Bill Jacobson, 
    • Shaniqwa Jarvis,  
    • Nadav Kander, 
    • Jordan Keyser, 
    • Alexia Lachance, 
    • Dennis Leupold, 
    • Vincent Levrat, 
    • Polo Lindström Muller, 
    • Kacey Lynch, 
    • Tyler Mansour, 
    • Colin Matsui, 
    • Kendall Mills, 
    • Cian Moore, 
    • Rukii Naraya, 
    • Jeanne Narquin, 
    • Clement Pascal, 
    • Christina Paik, 
    • Luis Pancho Perez, 
    • Eli Russell Linnetz, 
    • Daniel Sannwald, 
    • Max Siedentopf, 
    • Stillz,  
    • Samuel St-Onge, 
    • Otman Qrita, 
    • Emma Louise Swanson, 
    • Thomas Thompson, 
    • Isa Vanbaars, 
    • Virgil Vernois, 
    • Yuto Yasui, 
    • Charlie Young.

    Thanks

    • Julie Duplain, 
    • Chantal Dupouy, 
    • Daniel Arsham, 
    • Austin Snyder, 
    • Sanie Irsay, 
    • Aneesh Singh, 
    • Lindsey Macfee, 
    • Lucy Lynch, 
    • Alberto Turincio, 
    • Sandra Wedel, 
    • Verdy, 
    • Paulo Calle, 
    • Sarah Andelman, 
    • Franck Fontana, 
    • Adrien Plas, 
    • James Chan, 
    • Leo Gamboa, 
    • Joe Grondin, 
    • Teddy Santis, 
    • Derek Balarezo, 
    • Emily Manning, 
    • Julien Cahn, 
    • Brian Donelly, 
    • Michelle Bonomo, 
    • Brad Bridgers, 
    • David Arkin, 
    • Krzysztof Rodziewicz, 
    • Eric Pelletier, 
    • Nils Dragstra, 
    • Edison Chen, 
    • Patrick Lee, 
    • SK Lam, 
    • Easy Otabor, 
    • Gareth Skewis, 
    • Patrick Tcherno-Ivanenko, 
    • Bas Marijnen, 
    • Nigo, 
    • Dan Doyle, 
    • Adrian Douzmanian, 
    • Chris Gibbs, 
    • Justin Saunders, 
    • Sharif Aina, 
    • Pres Rodriguez, 
    • Thanh Sibony,  
    • Dr. Woo, 
    • Poggy, 
    • Mathieu Van Damme, 
    • James Dridi, 
    • KB Lee, 
    • Sky Gellatly, 
    • Natsumi Tauchi, 
    • Salehe Bembury, 
    • Federico Tan, 
    • Dan Natola, 
    • Thomas Boudreau, 
    • Kevin Poon, 
    • Curtis Penning, 
    • Samuel Ross, 
    • Barbara Torasso, 
    • Bradley Carbone, 
    • Joe Freshgoods, 
    • Brandon Ollish, 
    • Daniel Bailey, 
    • Kevin Duong, 
    • Maxime Merran, 
    • Paul Ruffles, 
    • Rachel Muscat, 
    • Paul Webber, 
    • Pini Mlinarik, 
    • Tracy Castillo, 
    • Jaynard Caparoso, 
    • Mike Packer, 
    • Victor Kan, 
    • Matthew Williams,
    • Morgane Rousseau, 
    • Victoria Guarnero, 
    • Lyes Aitou, 
    • Kacey Lynch, 
    • Benoit Pagotto, 
    • Caleb Lin, 
    • Kyle Parry,  
    • Leo Verhnet, 
    • Sacha Bernaudat.

    La MJC logo

    All rights reserved.
    No part of this book may be reproduced in any form by any electronic or mechanical means without prior permission in writing from the publishers.
    (including photocopying, recording, or information storage or retrieval) © 2025 La MJC.

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